The Evolution of Mosque Architecture
Date Added
09/07/2019
Content Type
Article
Category
Websites
Link to Content
Author
Nihad Alamiri
Publisher Name
omrania
Year of Publication
2017
Description
The laws of Islam do not
mandate the shape or form of sacred spaces in which the rituals of prayer are
performed. In other words, the architecture of a mosque is not determined
primarily by religious doctrine. The one essential requirement is for the space
to accommodate rows of worshippers standing behind an imam. This alone is
sufficient; everything else is discretionary. Over time, the characteristic
shapes of mosques evolved primarily in response to the variety of secular
functions they supported at different times and in different places.
In
addition, the design of a mosque is not specific to any particular rite or
denomination of Islam. Unlike the architecture of Christian churches, for
example, which may in some cases designate whether a congregation is Catholic,
Protestant, or Orthodox, every mosque serves as a place of prayer for all
Muslims. The design of mosques has evolved as a reflection of symbolic values
and as an expression of the identity of Muslim communities throughout the ages
and across the Muslim world.
Early Evolution of Mosque Design
The first mosques — the word comes from the Arabic masjid, meaning “place of worship” —
were often simply an allocation of an open space in the center of town where
Muslims could congregate and pray. The only consistent defining spatial
characteristic of these early mosques was their orientation toward Mecca, the
site of the ancient mosque, called Masjid al-Haram, at the center of which
stands the holy Kaaba. Additional spatial and architectural conventions began
to spring up in response to social and climatic conditions. For example, a
covered section was often provided to shelter worshipers from extreme heat
along the qibla wall
facing Mecca. A prayer niche, or mihrab, would customarily designate
this wall so that pilgrims would immediately understand which way to direct
their prayers.
Beyond
these basic features, most of the rest of the mosque was given over to an open
courtyard, especially in the case of a mosque in the center of town, where
thousands would congregate on Fridays for communal prayer. This simple,
legible, and replicable spatial prototype would evolve into the first formal
expression of covered, hypostyle mosques, known for their forest-like arcades
and columns. Variations of this model include the first mosque in Medina, known
as the Quba Mosque, established in 622 CE; the Kairouan Mosque in Tunis (670
CE); and the Umayyad mosque in Damascus (715 CE). The latter two examples
incorporated column details from ancient Greek and Roman sources, but in a vast
gridded configuration with modified arches. More than a dozen doorways
connected the open courtyard to the covered prayer hall on the side nearest the qibla wall.
Despite their varied configurations, mosques from the early days of Islam developed
according to an underlying type that is fundamentally mutable, able to
accommodate expansions and improvements over time. Rather than a closed or
complete form, the mosque typology exemplifies a kind of “open form.”
Mosque-Madrassa of Sultan Hassan, built in only three years (1356-1359), is a massive Mamluk-era center of
worship and learning located near the Citadel in Cairo. Photo © Mohammed Moussa.
Subsequent
mosques gained more complexity and diversity in their designs. The prayer halls
became larger, and the simple courtyard was surrounded by more-elaborate
arcades. Minaret towers — functionally designed to amplify the call to prayer
throughout the neighborhood — were handsomely ornamented by artisans. Certain
ornamental traits became hallmarks of particular periods. Mosques of the
Fatimid Caliphate (909–1167 CE) in North Africa, for example, are notable for
combining eastern and western architectural motifs, assimilating Byzantine, Syrian,
Greek, and Mamluk traditions within a hypostyle plan. The following dynasty,
called the Ayyubid (1167-1260), also based in Egypt, ushered in an era of
military-inspired mosque architecture, such as the mosque of the Citadel of
Aleppo, built in the early 13th century CE. The early to middle Ottoman Empire,
from about 1300 to 1600, ushered magnificent centrally planned mosques
recognizable by their stacked domes and half-domes, with Byzantine-inspired
motifs. Today, most mosque styles are still associated with these grand periods
of Islamic architecture.
Yet such stylistic classifications denote only the surface treatment, while the more-substantive differences lay in the spatial organization and qualities of the mosques. Starting in the 12th century CE, the main prayer hall of important mosques began to acquire a major dome or a series of cupolas supported on structural piers, creating a more-spacious, column-free enclosure accommodating hundreds of worshippers in a unified spatial gesture. The domed prayer hall progressively became the most dominant feature of the mosque, absorbing the open courtyard.
Selimiye Mosque, Edirne, Turkey, designed by Mimar Sinan. A UNESCO heritage site. Photo © Altkat Architectural Photography
Indeed,
during the Ottoman period, beginning about 1300 CE, the courtyard was reduced
to an ante-room. By the middle of the sixteenth century, Ottoman mosques
achieved unprecedented height and majesty through the elaboration of a series
of cascading domes buttressing the main dome over the central prayer hall, as
seen in the Süleymaniye Mosque in Istanbul (1550-1557) and the Selimeye Mosque
in Erdine (1569-1575), both UNESCO World Heritage sites, designed by the great
engineer-architect Mimar Sinan. Madrasas (Islamic schools), a covered market,
clock house, and library surround the prayer hall of the Selimeye Mosque,
exemplifying the diversified social role of the mosque complex.